Design that Speaks of Identity

CMU’s entry, titled “Hulagway sa Tribu” (Image of the Tribe), drew inspiration from the everyday symbols, stories, and values of Bukidnon’s indigenous peoples.

The collection, designed by Daisy Marie S. Barrientos, Ricalyn F. Presbitero, and Lean Art B. Madjos, under the mentorship of Mr. Redgie M. Castro and Ms. Marilou P. Butanas, translated Bukidnon’s cultural heritage into visual form—using textures, weaves, and color as language.

Each element carried meaning:

• Geometric patterns resembled Bukidnon’s mountain landscapes.

• The color palette—a balance of red, black, white, and yellow—reflected values of bravery, purity, and abundance.

• Amakan-inspired details symbolized interconnectedness within and among tribes.

Their design did not merely reference tradition; it reinterpreted it, showcasing how local identity can thrive within modern silhouettes.

Collaborating with Local Weavers

To bring their vision to life, the CMU team partnered with the Miag-ao Weavers Association of Iloilo, integrating handwoven hablon-simray fabrics into their garments.

The collaboration, facilitated by DOST-PTRI, allowed students to experience how indigenous weaving practices can be aligned with contemporary design principles. The fabrics, composed of abaca and cotton, reflected the richness of local craft—sturdy yet graceful, traditional yet adaptive.

The students also worked closely with textile researchers to ensure the materials met both sustainability and performance standards, adding a layer of scientific application to creative design.